Suppose there must taken into account the biosemiotics's uniform approach
and for musical scores and for blueprints and for computer programs or
DNA molecules (look at the 4. Long-term objectives part of the paper -
http://ototsky.mgn.ru/it/21abreast.htm ). (01)
Leonid Ototsky - http://paterleo.wikispaces.com (02)
>
> On Sep 4, 2007, at 7:49 PM, Jerry Hobbs wrote:
>
>
>>
>> Is music an example of syntax and pragmatics without semantics?
>>
>
> Well, when jazz musicians weave in references to different melodies into
> their riffs or when Rachmaninov puts together a set of variations on
> Paganini's 24th Caprice, it's a kind of reference, isn't it? Perhaps,
> this may be
> considered vestigial semantics...
>
> Sergei
>
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> (03)
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