Thank you for the update, Ken. ...You projects are really cool, as always! (01)
We should invite you over to give a talk at the Ontolog Forum about them. (02)
Regards. =ppy
-- (03)
On 10/7/07, Kenneth Fields <ken@xxxxxxxxxxx> wrote:
> Hi Peter and All,
> Sorry to report the slowness of our progress for this project - which
> happens when
> you aren't directly focused on structuring terminology but creating
> the conditions for it.
> We have managed to establish a good terminology base and community to
> work with
> in these last years. You might be interested in seeing the latest
> issue of Organised Sound Journal v12.2:
http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=12&issueId=02
>
> This is a multilingual glossary with a solid history that we will be
> working with:
> http://www.ears.dmu.ac.uk/
>
> My current project is working on a methodology for tagging objects
> with mobile phones
> and then tagging those tags with relational terms (ontologizing) -
> called folk-ontology after
> folksonomy - thus, not strictly focused/fixated on the 'hyponym' (the
> is-a relationship).
> see: tag798.daohaus.org.
>
> Discussion welcome!
> Ken Fields (04)
> On Oct 7, 2007, at 11:24 PM, Peter Yim wrote:
>
> > (moving this conversation to a new, and more appropriately captioned
> > thread. =ppy)
> >
> >> [DN] Would love to hear ideas but also the ontology of music
> >> is something quite near to me...Duane,
> >
> > [ppy] You might be interested to check out the work by Ken Fields and
> > his colleagues at the DAO (Digital Art Ontology) community. Ken has
> > been a long time member of Ontolog, and the founder of the DAO
> > community.
> >
> > The abstract to a recent work of his: "Electronic Music Terminology:
> > Translation, Ontology, Knowledge Base" can be found at:
> > http://dao.cim3.net/cgi-bin/wiki.pl?Terminology
> >
> > Among other abstracts they had posted for their MusicAcoustic2006
> > conference (see:
> > http://dao.cim3.net/cgi-bin/wiki.pl?ProposalAbstracts2006), I even
> > spotted one on "Digital Silience" ... for those of you who were
> > passionately discussing John Cage's work earlier. :-)
> >
> > Regards. =ppy
> > -- (05)
> > ---------- Forwarded message ----------
> > From: John F. Sowa <sowa@xxxxxxxxxxx>
> > Date: Oct 7, 2007 6:13 AM
> > Subject: Re: [ontolog-forum] Common Logic is now an International
> > Standard
> > To: "[ontolog-forum]" <ontolog-forum@xxxxxxxxxxxxxxxx>
> >
> >
> > Duane,
> >
> >> Would love to hear ideas but also the ontology of music is
> >> something quite near to me...
> >
> > For a connection between music and logic, consider the career
> > of Stefan Bauer-Mengelberg (see below).
> >
> > Not mentioned in that article is the fact that he also translated
> > many of the classic papers in logic by Frege, Goedel, and others
> > from German to English, and he taught logic and probability at
> > the IBM Systems Research Institute, where I also worked for many
> > years. (I am also grateful to him for getting the IBM library to
> > buy a very nice collection of logic books.)
> >
> > He also got a grant from the Ford Foundation to develop DARMS
> > (Digital Alternate Representation of Music Scores). Following
> > is a summary of DARMS:
> >
> > http://www.ccarh.org/publications/books/beyondmidi/online/darms/
> > Online Resources from Beyond Midi
> >
> >> Our first 4 final tracks are available for free download at
> >> http://www.myspace.com/22ndcentury
> >
> > Do you have a more specific reference? That page is so crowded
> > that it's impossible to find anything.
> >
> > John
> > _______________________________________________________________
> >
> > http://query.nytimes.com/gst/fullpage.html?
> > res=9802E4DC1739F93BA15753C1A960958260
> >
> > Stefan Bauer-Mengelberg, a Conductor, 69
> >
> > Published: October 28, 1996
> >
> > Stefan Bauer-Mengelberg, a mathematician, conductor and lawyer, was
> > found dead last Monday at his home in Amagansett, L.I. He was 69.
> >
> > The cause was heart failure, said a friend, Pat Trunzo 3d.
> >
> > Although Mr. Bauer-Mengelberg worked for many years as a mathematician
> > for I.B.M., his simultaneous career as a conductor and teacher
> > included
> > many prestigious posts. He was an assistant conductor at the New York
> > Philharmonic under Leonard Bernstein during the 1959-60 season, and
> > returned in later years as guest conductor of the orchestra. He also
> > served as the music director of the St. Louis Philharmonic Orchestra
> > from 1960-62, and as president of the Mannes College of Music from
> > 1966-69.
> >
> > His overlapping expertise in computers and music led him to devise a
> > system of musical notation for computers.
> >
> > Mr. Bauer-Mengelberg was born in Heidelberg, Germany, in 1927. His
> > family moved to the United States when he was 12. After serving in the
> > Army from 1946-47, he went on to college, receiving a bachelor's
> > degree
> > in philosophy and a master's in mathematics, both from New York
> > University. Later he taught both subjects at a number of schools,
> > including the New School for Social Research and Hunter College.
> >
> > When he was 49, already steeped in two full-time careers, Mr.
> > Bauer-Mengelberg decided to study law. He graduated from New York
> > University law school, becoming a full-time lawyer. He continued
> > his law
> > practice up to the time of his death.
> >
> > No immediate family members survive.
> >
> >
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